The Blind Assassin

Unabridged
Author: Margaret Atwood
Narrator: Margot Dionne
Genres: Fiction, Literature
Publisher: Random House Audio Assets
Date: May 2005
Length: 18 hours
Ratings:
Formats:
  • CD

Overview

Margaret Atwood takes the art of storytelling to new heights in a dazzling new novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist.
For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious.
The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a- novel. Entitled "The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.
Told in a style that magnificently captures the colloquialisms and cliches of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience. The novel has many threads and a series of events that follow one another at a breathtaking pace. As everything comes together, readers will discover that the story Atwood is telling is not only what it seems to be--but, in fact, much more.
The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become aclassic.

Reviews (12)

Blinded

Written by Anonymous on November 13th, 2008

  • Book Rating: 3/5

I usually listen in the evening which may be the problem because I found this story very difficult to follow. Not what I would call light listening, Perhaps reading it I would have been able to keep the characters separated.

The Blind Assassin

Written by snax from Etobicoke, ON on September 13th, 2008

  • Book Rating: 4/5

Atwood is a master. Plain and simple. The way she weaves together the different threads of the story is like a complex painting that, when fully revealed is even more beautiful than the sum of its parts.

Haven't reached the end yet...

Written by Jeff C. from Barrie, ON on June 19th, 2008

  • Book Rating: 3/5

I'm half-way through and enjoying the novel within a novel within a novel. My only complaint seems to be one that has not been voiced yet. In order to hear the narrator over the traffic and my own engine I have to turn it up. Now, I've been a member over a year now and have listened to well over 50 different audio books. This is the first book that has degraded as you turn up the volume (I'm suggests the engineering, the actual recording, was dreadful). The narrator either spoke too close to the mic or the it just doesn't survive the volume knob for whatever reason. Otherwise, no complaints. Looking forward to a satisfying ending.

Story Assassin

Written by Anonymous on June 5th, 2008

  • Book Rating: 1/5

This book bored me so badly that after 3 hrs of listening I gave up. Everything about this book was depressing, from the characters to the narrator. The constant endless detailed family history was so tedious that I found my mind wandering, only to come back to the story and find that still, nothing was happening. Nothing about this book captured my attention. The only spark of interest in what I heard was the strange story being told by somebody's lover, (whose I wasn't quite sure) but even that was so disjointed and choppy that I couldn't follow it. After 3 hours I expected at least to know who the characters were and what they were up to, to some degree. But I just felt like I couldn't wait for it to end.

The Blind Assassin

Written by Cheryl Slover on February 22nd, 2008

  • Book Rating: 1/5

UGH, Too flippin' tedious! I ended up sending it back.

Difficult listening

Written by Lisa David on January 31st, 2008

  • Book Rating: 1/5

I've tried to listen to this book twice now and still haven't made it through. It's very difficult to get into the story, and the reader doesn't help things (she's very hard to hear). I like Atwood but I just can't seem to get through this one.

Fine book, challenging

Written by Anonymous on December 12th, 2007

  • Book Rating: 3/5

This is clearly a very good book, but has some complex issues of gender relations that are a bit difficult to deal with in the audio form.

A moving work of art

Written by Anonymous from Scappoose, OR on December 5th, 2007

  • Book Rating: 5/5

This novel was beautifully written and read; it held my interest even when I was away and distracted me until I could get back to listening to it. The story was moving and also unique, imaginative and artful. I liked the ending, though I cried like a ninny driving down the freeway. This was my first but I will absolutely "read" all of Atwood's books!

An Intricate Read

Written by Donna Gerard on April 10th, 2007

  • Book Rating: 4/5

The Blind Assassin is comprised of three narrations: old and bitter Iris telling us how her life ended up, objective Iris telling her life story without bias, apology, or self-sympathy, and the novel The Blind Assassin, a novel within a novel, within a novel. It was interestingly composed and surprising in the end. The narrator was excellent.

Blind Assassin

Written by Anonymous on June 6th, 2006

  • Book Rating: 5/5

one of the best I have listened to. Engaging. Attwood should win a nobel prize for literature.

Author Details

Author Details

Atwood, Margaret

Margaret Eleanor Atwood was born in Ottawa, Ontario, Canada, in 1939. She moved with her family to Sault Ste. Marie, Canada, in 1945 and to Toronto, Canada, in 1946. Until she was eleven she spent half of each year in the northern Ontario wilderness, where her father worked as an entomologist (insect scientist). Her writing was one of the many things she enjoyed in her "bush" time, away from school. At age six she was writing morality plays, poems, comic books, and had started a novel. School and preadolescence brought her a taste for home economics. Her writing resurfaced in high school, though, where she returned to writing poetry. Her favorite writer as a teen was Edgar Allan Poe (1809–1849), who was famous for his dark mystery stories.

Atwood was sixteen years old when she made her commitment to pursue writing as a lifetime career. She studied at Victoria College, University of Toronto, where she received a bachelor's degree in 1961. Then she went on to complete her master's degree at Radcliffe College in Cambridge, Massachusetts, in 1962. Atwood also studied at Harvard University in Cambridge, Massachusetts, from 1962 to 1963 and from 1965 to 1967.

Atwood has received more than fifty-five awards, including two Governor General's Awards, the first in 1966 for The Circle Game, her first major book of poems; the second for her 1985 novel, The Handmaid's Tale, which was made into a movie. In 1981 she worked on a television drama, Snowbird, and had her children's book Anna's Pet (1980) adapted for stage (1986). Her recognition is often reflective of the wide range of her work. She is also a major public figure and cultural commentator.

Most of Atwood's fiction has been translated into several foreign languages. A new Atwood novel becomes a Canadian, American, and international bestseller immediately. There is a Margaret Atwood Society, a Margaret Atwood Newsletter, and an ever-increasing number of scholars studying and teaching her work in women's studies courses and in North American literature courses worldwide.
Style and statement

Atwood has alternated prose (writing that differs from poetry due to lack of rhyme and closeness to everyday speech) and poetry throughout her career, often publishing a book of each in the same or consecutive years. While in a general sense the poems represent "private" myth and "personal" expression and the novels represent a more public and "social" expression, there is, as these dates suggest, continual interweaving and cross-connection between her prose and her poetry. The short story collections, Dancing Girls (1977), Bluebeard's Egg (1983), and especially the short stories in the remarkable collection Murder in the Dark (1983) bridge the gap between her poetry and her prose.

Atwood writes in an exact, vivid, and witty, style in both prose and poetry. Her writing is often unsparing in its gaze at pain and unfairness: "you fit into me / like a hook into an eye / a fish hook / an open eye" (from Power Politics) "Nature" in her poems is a haunted, clearly Canadian wilderness in which, dangerously, man is the major predator of and terror to the "animals of that country," including himself.

Atwood's novels are sarcastic jabs at society as well as identity quests. Her typical heroine is a modern urban woman, often a writer or artist, always with some social-professional commitment. The heroine fights for self and survival in a society where men are the all-too-friendly enemy, but where women are often participants in their own entrapment.

Atwood is also a talented photographer and watercolorist. Her paintings are clearly descriptive of her prose and poetry and she did, on occasion, design her own book covers. Her collages and cover for The Journals of Susanna Moodie bring together the visual and the written word.
Popular and accessible

Atwood is known as a very accessible writer. One of her projects, the official Margaret Atwood Website, is edited by Atwood herself and updated frequently. The Internet resource is an extensive, comprehensive guide to the literary life of the author. It also reveals a peek into Atwood's personality with the links to her favorite charities, such as the Artists Against Racism site, or humorous blurbs she posts when the whim hits. As well, the site provides dates of lectures and appearances, updates of current writing projects, and reviews she has written. The address is: http://www.owtoad.com

Margaret Atwood's contribution to Canadian literature was most recently recognized in 2000, when she received Britain's highest literary award, the $47,000 Booker Prize. Atwood donated the prize money to environmental and literary causes. Her generosity is not at all a surprising development to her many fans.