Bonesetter's Daughter

Version: Abridged
Author: Amy Tan
Narrator: Amy Tan , Joan Chen
Genres: Fiction, Literature
Publisher: Phoenix Audio
Published In: January 2006
# of Units: 6 CDs
Length: 6 hours
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Overview

In memories that rise like wisps of ghosts, LuLing Young searches for the name of her mother, the daughter of the Famous Bonesetter from the Mouth of the Mountain. Trying to hold on to the evaporating past, she begins to write all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with and his two teenage daughters. None of her professional sound bites and pat homilies works for her personal life; she knows only how to translate what others want to say.

Ruth starts suspecting that something is terribly wrong with her mother. As a child, Ruth had been constantly subjected to her mother's disturbing notions about curses and ghosts, and to her repeated threats to kill herself, and was even forced by her mother to try to communicate with ghosts. But now LuLing seems less argumentative, even happy, far from her usual disagreeable and dissatisfied self.

While tending to her ailing mother, Ruth discovers the pages LuLing wrote in Chinese, the story of her tumultuous and star-crossed life, and is transported to a backwoods village known as Immortal Heart. There she learns of secrets passed along by a mute nursemaid, Precious Auntie; of a cave where dragon bones are mined, some of which may prove to be the teeth of Peking Man; of the crumbling ravine known as the End of the World, where Precious Auntie's scattered bones lie, and of the curse that LuLing believes she released through betrayal.

Like layers of sediment being removed, each page reveals secrets of a larger mystery: What became of Peking Man? What was the name of the Bonesetter's Daughter? And who was Precious Auntie, whose suicide changed the path of LuLing's life? Within LuLing's calligraphed pages awaits the truth about a mother's heart, what she cannot tell her daughter yet hopes she will never forget.

Set in contemporary San Francisco and in a Chinese village where Peking Man is being unearthed, The Bonesetter's Daughter is an excavation of the human spirit: the past, its deepest wounds, its most profound hopes. The story conjures the pain of broken dreams, the power of myths, and the strength of love that enables us to recover in memory what we have lost in grief. Over the course of one fog-shrouded year, between one season of falling stars and the next, mother and daughter find what they share in their bones through heredity, history, and inexpressible qualities of love.

Author Details

Author Details

Tan, Amy

"Amy Tan was born in Oakland, California. Her family lived in several communities in Northern California before settling in Santa Clara. Both of her parents were Chinese immigrants.

Her father, John Tan, was an electrical engineer and Baptist minister who came to America to escape the turmoil of the Chinese Civil War. The harrowing early life of her mother, Daisy, inspired Amy Tan's novel The Kitchen God's Wife. In China, Daisy had divorced an abusive husband but lost custody of her three daughters. She was forced to leave them behind when she escaped on the last boat to leave Shanghai before the Communist takeover in 1949. Her marriage to John Tan produced three children, Amy and her two brothers.

Tragedy struck the Tan family when Amy's father and oldest brother both died of brain tumors within a year of each other. Mrs. Tan moved her surviving children to Switzerland, where Amy finished high school, but by this time mother and daughter were in constant conflict.

Mother and daughter did not speak for six months after Amy Tan left the Baptist college her mother had selected for her to follow her boyfriend to San Jose City College. Tan further defied her mother by abandoning the pre-med course her mother had urged to pursue the study of English and linguistics. She received her bachelor's and master's degrees in these fields at San Jose State University. In 1974, she and her boyfriend, Louis DeMattei were married. They were later to settle in San Francisco.

DeMattei, an attorney, took up the practice of tax law, while Tan studied for a doctorate in linguistics, first at the University of California at Santa Cruz, later at Berkeley. By this time, she had developed an interest in the problems of the developmentally disabled. She left the doctoral program in 1976 and took a job as a language development consultant to the Alameda County Association for Retarded Citizens and later directed a training project for developmentally disabled children.

With a partner, she started a business writing firm, providing speeches for salesmen and executives for large corporations. After a dispute with her partner, who believed she should give up writing to concentrate on the management side of the business, she became a full-time freelance writer. Among her business works, written under non-Chinese-sounding pseudonyms, were a 26-chapter booklet called ""Telecommunications and You,"" produced for IBM.

Amy Tan prospered as a business writer. After a few years in business for herself, she had saved enough money to buy a house for her mother. She and her husband lived well on their double income, but the harder Tan worked at her business, the more dissatisfied she became. The work had become a compulsive habit and she sought relief in creative efforts. She studied jazz piano, hoping to channel the musical training forced on her by her parents in childhood into a more personal expression. She also began to write fiction.

Her first story ""Endgame,"" won her admission to the Squaw Valley writer's workshop taught by novelist Oakley Hall. The story appeared in FM, literary magazine, and was reprinted in Seventeen. A literary agent, Sandra Dijkstra, was impressed enough with Tan's second story ""Waiting Between the Trees,"" to take her on as a client. Dijkstra encouraged Tan to complete an entire volume of stories.

Just as she was embarking on this new career, Tan's mother fell ill. Amy Tan promised herself that if her mother recovered, she would take her to China, to see the daughter who had been left behind almost forty years before. Mrs. Tan regained her health and mother and daughter departed for China in 1987. The trip was a revelation for Tan. It gave her a new perspective on her often-difficult relationship with her mother, and inspired her to complete the book of stories she had promised her agent.

On the basis of the completed chapters and a synopsis of the others, Dijkstra found a publisher for the book, now called The Joy Luck Club. With a $50,000 advance from G.P. Putnam's Sons, Tan quit business writing and finished her book in a little more than four months.

Upon its publication in 1989, Tan's book won enthusiastic reviews and spent eight months on the New York Times best-seller list. paperback rights sold for $1.23 million. The book has been translated in 17 languages, including Chinese. Her subsequent novel, The Kitchen God's Wife (1991) confirmed her reputation and enjoyed excellent sales. Since then Amy Tan has published two books for children, The Moon Lady and The Chinese Siamese Cat and two novels The Hundred Secret Senses (1998) and her latest, The Bonesetter's Daughter (2001). "