Lady Susan

Unabridged
Author: Jane Austen
Narrator: Kim Hicks
Genres: Fiction, Literature, Classics
Publisher: Naxos Audiobooks Ltd.
Date: September 2001
Length: 2 hours, 30 minutes
Ratings:
Formats:
  • CD
  • WMA

Overview

After Jane Austen’s earliest known writings, she began a more serious work, Lady Susan, in 1793 or 1794. It is a short, epistolary novel that portrays a woman bent on the exercise of her own powerful mind and personality to the point of social self-destruction. Lady Susan, a clever and ruthless widow, determines that her daughter is going to marry a man whom both detest. Lady Susan sets her own sights on her sister-in-law’s brother, all the while keeping an old affair simmering on the back burner. But people refuse to play the roles assigned them, and in the end her daughter gets the sister-in-law’s brother, the old affair runs out of steam, and all that is left for Lady Susan is the man intended for her daughter, the one neither can abide. Jane Austen ended this work abruptly with the comment: “this correspondence…could not, to the great detriment of the Post Office revenue, be continued any longer.”

Reviews (4)

Easy to follow - clever

Written by Anonymous from Alexandria, VA on August 19th, 2008

  • Book Rating: 5/5

I disagree with previous reviewers' comments that the story was hard to follow. The story is told in a series of letters which gives you the different perspectives of the characters and helps develop them. The voices are very different in sound and even in accent so it's very easy to figure who is who. The relationships among the characters are also easy to figure out as they comment in the letters with phrases like "dear Mother" or "your friend". The production was good and there are some great turns of phrase. It is thoroughly enjoyable.

Lady Susan

Written by Anonymous from Houston, TX on August 12th, 2007

  • Book Rating: 3/5

I am a devoted Jane Austen fan and have enjoyed the movie versions of her major works. Having never seen this book before, I decided to rent it. I was, however, not impressed with it. I found it predictable and trite compared to the more entertaining of the lot. She did use letters written back and forth to set up her story and characters. I guess, I just had trouble really caring about them. I gave 3 stars mainly because, well, it is a Jane Austen story...lol

hard to follow

Written by Gabi on May 1st, 2007

  • Book Rating: 2/5

an intersting read - uh listen - but really hard to follow. The equal sounding names and similar characters got me confused a few times, so I had to go back and rewind one too many times. I gave up.

Lady Susan unabridged

Written by Brian Casey on November 9th, 2005

  • Book Rating: 1/5

Not for me. Boring. Didn't lessen to more than the first CD

Author Details

Author Details

Austen, Jane

"Jane Austen was born December 16, 1775, to Rev. George Austen and the former Cassandra Leigh in Steventon, Hampshire, the seventh of eight children. Like the central characters in most of her novels, the Austens were a large family of respectable lineage but no fortune; her father supplemented his ""living"" -- his clergyman's income -- by farming. This lively and cheerful family frequently passed their evenings in novel-reading, charades and amateur theatrics. Among her siblings, her sister Cassandra, three years older, was her lifelong friend and confidant.

Her large family supplied material for the kind of novels popular when she wrote, but she chose not to draw upon any of it: her mother, for example, was related to a Duke who was master of Balliol College, Oxford; one aunt married an admiral; another, Mrs. Leigh Perrot, was falsely imprisoned for petty theft in 1799; a cousin, the Comtesse de Feuillide, fled the Reign of Terror after the execution of her husband, came to live with the Austens at Steventon, later fell in love with and married Jane's handsome and cheerful brother Henry (a particular favorite of Jane's), who later went bankrupt and then went into the (Anglican) priesthood; her eldest brother James married a duke's granddaughter; her brothers Frank (a friend of Nelson) and Charles (who married the daughter of the Attorney-General of Bermuda) became naval officers, saw action in the Napoleonic wars, and eventually wound up admirals; and her charming and amiable brother Edward was adopted by the first family of Steventon, the Thomas Knights, a wealthy and childless couple. They educated him, sent him on the grand tour, married him to the daughter of a baronet, and made him their heir. Why do you suppose she chose not to use such potentially sensational subject matter or draw upon her family's relatively close connection to important contemporary events?

In 1801, Rev. Austen retired and the family moved to Bath (much to Jane's dismay), probably so that the still-unmarried Jane and Cassandra might have a better chance of meeting marriageable men. Although she never married, Jane had several romantic liasons, the most serious with a Rev. Blackall who died suddenly, just before they were to become formally engaged. How does this history change your estimate of Elizabeth Bennet? Of Jane Bennet? After her father's death in 1805 the family moved to Southampton, and in 1809 her wealthy brother Edward was able to install Jane, Cassandra, and their mother in a ""pretty cottage"" back in Hampshire.

During the eight years she lived away from Hampshire, Austen did not write very much (apparently -- biographical information is sketchy), doing little more than revising Northanger Abbey. From what you know of her work, can you suggest a reason for this? What does the setting of her novels have to do with their content?

As the timeline shows, she was a writer from her teens until her death, although hardly anyone outside her immediate family knew it, since all her novels were published anonymously. Indeed, when she was living with relatives after her father's death and writing in the family parlor, she asked that a squeaky hinge on the room's swinging door not be oiled so that she would have time to hide her manuscripts when her nephews and nieces ran into the room. Gilbert and Gubar point out in The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (1979) that ""authorship for Austen is an escape from the very restraints she imposes on her female characters. And in this respect she seems typical, for women may have contributed so siginificantly to narrative fiction precisely because it effectively objectifies, even as it sustains and hides, the subjectivity of the author"" (168). Test this assertion by your experience of the novel. Incidentally, Austen's identity finally became known in 1814, after Pride and Prejudice.

From 1809 on Austen lived happily with her mother and sister, her time employed in writing. Her fatal illness, then thought to be consumption, now known to be Addison's disease, first appeared in 1816. She died the following year."