The Prince of Frogtown

Unabridged
Author: Rick Bragg
Narrator: Rick Bragg
Genres: Biographies, iPod Audiobooks
Publisher: Random House (Audio)
Date: May 2008
Length: 8 hours
Ratings:
Formats:
  • iPod

Overview

In this final volume of the beloved American saga that began with All Over but the Shoutin’ and continued with Ava’s Man, Rick Bragg closes his circle of family stories with an unforgettable tale about fathers and sons inspired by his own relationship with his ten-year-old stepson.

He learns, right from the start, that a man who chases a woman with a child is like a dog who chases a car and wins. He discovers that he is unsuited to fatherhood, unsuited to fathering this boy in particular, a boy who does not know how to throw a punch and doesn’t need to; a boy accustomed to love and affection rather than violence and neglect; in short, a boy wholly unlike the child Rick once was, and who longs for a relationship with Rick that Rick hasn’t the first inkling of how to embark on. With the weight of this new boy tugging at his clothes, Rick sets out to understand his father, his son, and himself.

The Prince of Frogtown documents a mesmerizing journey back in time to the lush Alabama landscape of Rick’s youth, to Jacksonville’s one-hundred-year-old mill, the town’s blight and salvation; and to a troubled, charismatic hustler coming of age in its shadow, Rick’s father, a man bound to bring harm even to those he truly loves. And the book documents the unexpected corollary to it, the marvelous journey of Rick’s later life: a journey into fatherhood, and toward a child for whom he comes to feel a devotion that staggers him. With candor, insight, tremendous humor, and the remarkable gift for descriptive storytelling on which he made his name, Rick Bragg delivers a brilliant and moving rumination on the lives of boys and men, a poignant reflection on what it means to be a father and a son.

Author Details

Author Details

Bragg, Rick

"My Grandfather on my daddy's side and my grandma on my momma's side used to try and cuss their miseries away. They could out-cuss any damn body I have ever seen. I am only an amateur cusser at best, but I inherited other things from these people who grew up on the ridges and deep in the hollows of northeastern Alabama, the foothills of the Appalachians. They taught me, on a thousand front porch nights, as a million jugs passed from hand to hand, how to tell a story.

I make my living at it now, as a national correspondent for The New York Times, based in my native South (Atlanta). It was my dream to do this someday, but some things even I was afraid to dream.

In 1996, I was awarded the Pulitzer Prize for feature writing, for what the judges called ""elegantly written stories on contemporary America."" They included stories on the country sheriff who caught Susan Smith, an Alabama prison where old inmates go to die, a Mississippi washerwoman who became a national hero, and the nightmare bombing of the federal building in Oklahoma City. I also won the prestigious American Society of Newspaper Editor's Distinguished Writing Award, for the second time. I have won more than 40 journalism awards, including several awards that might have actually helped people.

But the best thing that happened to me in 1996 was the contract for this book (All Over But The Shoutin'), which allowed me to keep a promise I had made to my mother--a woman who picked cotton, scrubbed floors and took in washing and ironing--who went 18 years without a new dress so I could have school clothes.

With the advance from this book, I bought her a house, the first house she ever owned.

I teach writing at the Poynter Institute for media studies, at National Writers Workshops around the country. I taught some workshops at Harvard, and several newspapers have asked me to do in-house writing workshops, including The Times.

My stories are included in several ""best of"" collections of newspaper writing. I have written for the New York Times Sunday Magazine, and others.

For good or bad, I am kind of unusual for a Times man. I have been at The Times for just three years, for the first six months on Metro in New York, writing about the homeless, violence, welfare hotels, other miseries, then covered Haiti for more than two months during the worst of the killing there in the late summer and the fall of 1994. I came home to find that I had been promoted to the national desk. They sent me home, almost, to Atlanta.

Before The Times, I worked briefly at The Los Angeles Times, a failed experiment, and before that as a roving national correspondent for the St. Petersburg Times.

In 1992-93, I was a Nieman Fellow at Harvard University, the only real college I ever had. I think I was filling their white trash quota. I went just six months to Jacksonville State University, in Alabama, in the 1970s.

Before the Nieman, I was the St. Petersburg Times Miami Bureau Chief, covering south Florida, Haiti, the outbreak of the Gulf War, and other balmy places. Before Florida, I was a reporter in my native Alabama, at The Birmingham News, Anniston Star, Talladega Daily Home and Jacksonville News. I wrote about cockfights, speed trap towns, serial killers, George Wallace, Bear Bryant, and Richard Petty.

I was born in a small town hospital in northeastern Alabama on July 26, 1959. My momma went into labor about three-quarters of the way through the ""Ten Commandments,"" which was showing at the Midway Drive-In. I am not making this up. I think it's in Chapter Four.

Since then, I have lived in Jacksonville, Anniston and Birmingham, all in Alabama, in Clearwater, Bradenton, Miami and St. Petersburg, in Florida, and Cambridge, Massachusetts, Los Angeles, the corner of 110th and Broadway, New York City, and now Atlanta. I spend at least a quarter of the year in New Orleans, for The Times.

I am seldom at home. I am not married. If I had a dog, it would starve. "