Killer view

Version: Unabridged
Author: Ridley Pearson
Narrator: Christopher Lane
Genres: Suspense
Publisher: Brilliance Audio
Published In: July 2008
# of Units: 8 CDs
Length: 9 hours
Ratings:
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Overview

When a skier goes missing at Sun Valley's Galena Summit, Sheriff Walt Fleming quickly assembles his crack Search and Rescue team and heads out into the snowy night. Despite the treacherous conditions, Walt and his group, including deputy Tommy Brandon and Walt's best friend, Mark Aker, set off on skis, accompanied by highly trained search dogs. Within minutes, something goes horribly wrong: one of their team is dead. By morning, Mark Aker has disappeared. Torn between professional responsibility and the desperate urge to find his friend, Walt is further challenged by an unexplained illness at a local water-bottling plant that sends workers to the hospital and sets off biohazard warnings. Following threads of questionable evidence through the glitter of Sun Valley leads Walt to an unlikely-and darker-source, and reveals a crime played out on a much larger scale than he originally envisioned. Waist-deep in snow and knee-deep in lies, the life of his friend in the balance, Walt begins to suspect that the whole operation is controlled by people of great wealth and power, which leaves him where he started: out in the cold. From adrenaline-charged start to explosive finish, Killer View is heart-stopping suspense at its very best. "A terrific villain, an appealing protagonist, and breakneck pacing. Ridley Pearson writes thrillers, the kind that try to yank you to the edge of your seat and keep you there." -Boston Sunday Globe "Ridley Pearson writes thrillers, the kind that try to yank you to the edge of your seat and keep you there." -Boston Sunday Globe

Author Details

Author Details

Pearson, Ridley

Crime may not always pay, but crime fiction always sells, and Ridley Pearson is one of the stars of the genre, the kind of writer whose royalties keep his family fed and cover a few extras as well (like, say, his own airplane). Yet Pearson didn't spend his youth dreaming of bestsellerdom. His first ambition was to be a musician, and he spent most of his twenties writing and performing folk-rock songs. The idea that he might become a novelist came later. As he explained in a Barnes and Noble interview, he was reading a Robert Ludlum novel when "a voice spoke up from inside me and said, 'I can do this.'" (Once he began writing and discovered firsthand the skill involved in crafting a cohesive thriller, he realized how much he had presumed!)

Pearson is renowned for fast-paced, thrill-a-minute suspense novels that include "a rare humanism and attention to detail" (Publishers Weekly). In a Greenwich Magazine interview he called his work "aerobic fiction, because I hope to get your heart pounding and get you turning pages." Entertainment Weekly dubbed him "the thinking person's Robert Ludlum."

As his fans know, Pearson works hard at nailing the details of forensic investigation and police procedure. In Undercurrents (the first novel in his Seattle-based Lou Boldt mystery series) his research was so thorough -- he consulted an expert in oceanography -- that the book helped convict an actual murderer. A Washington state prosecuting attorney happened to be reading it while working on a case similar to Pearson's fictional one: A woman's body had been found in a bay, and at first it appeared that she had committed suicide by jumping off a bridge. The oceanographer mentioned in Pearson's acknowledgements was called in as an expert witness to help prove that, based on tidal currents, the woman must have been dead before the time her husband claimed to have last seen her. Due largely to the expert testimony, the victim's husband was convicted of second-degree murder.

Of course, there's more to a Pearson novel than research. "Just what is it about Ridley Pearson that makes him the best damn thriller writer on the planet?" mused Bill Ott in BookList. "We've celebrated the forensic detail, the taut plotting, the multidimensional characters, and the screw-tightening suspense, but lots of fiction writers do all that. Here's a theory: Pearson is a master at manipulating opposites. His stories are forever jumping from high concept to small scale, from positive to negative charges, manipulating our emotions and minds with their polar hip-hopping."

When he's not writing, Pearson still makes music -- he's the bass guitarist for the Rock Bottom Remainders, an amateur rock band made up of professional writers including Stephen King, Dave Barry, Amy Tan, and Mitch Albom. (The group's motto, coined by Barry: "We play music as well as Metallica writes novels.")

It was while Pearson was in Miami to play with the Rock Bottom Remainders that he told Barry about his idea (actually, daughter Paige's idea) for a prequel to Peter Pan. The two authors had such a good time hashing out possibilities over breakfast that Pearson asked Barry to write the book with him. Published in 2004, their clever collaboration Peter and the Starcatchers became a huge bestseller, spawning two sequels (Peter and the Shadow Thieves in 2006 and Peter and the Secret of Rundoon in 2007) and a series of spin-off children's chapter books.

Even though Pearson thoroughly enjoys crafting juvenile fiction, his adult fans need not worry that he's abandoned his high-voltage crime novels. Indeed, he has said that writing gives him the same "adrenaline rush," no matter which audience he is targeting: Readers of all ages appreciate the imagination, suspense, and an impeccable eye for detail he brings to all his fiction.