Voyager

Version: Unabridged
Author: Diana Gabaldon
Narrator: Davina Porter
Genres: Fiction & Literature
Publisher: Recorded Books
Published In: September 2005
# of Units: 36 CDs
Length: 43 hours, 45 minutes
Ratings:
Tell Your Friends:

Overview

Diana Gabaldon's magnificent historical saga, begun with Outlander and Dragonfly in Amber, continues with this New York Times bestseller. Set in the intriguing Scotland of 200 years ago, the third installment in the romantic adventures of Jamie and Claire is as compelling as the first. Now that Claire knows Jamie survived the slaughter at Culloden, she is faced with the most difficult decision of her life. She aches to travel back through time again to find the love of her life, but, in order to do that, she must leave their daughter behind. It has been 20 years since she and Jamie were forced to separate. Can she risk everything, maybe even her life, on a gamble that their love has withstood the long, rigorous test of time? Diana Gabaldon's powerful, witty, and heroic characters lend themselves well to the rich, melodic narration accorded them by Davina Porter. Under her spell, listeners find themselves transported back through time to exciting faraway places alive with people they would enjoy knowing.

Reviews (1)

Outlander

Written by dani on February 19th, 2014

  • Book Rating: 5/5

The best series EVER! If you haven't read it, start with Outlander and read them in order. Everyone I know who has read them has become addicted!

Author Details

Author Details

Gabaldon, Diana

To millions of fans, Diana Gabaldon is the creator of a complex, original, and utterly compelling amalgam of 18th-century romantic adventure and 20th-century science fiction. To the publishing industry, she's a grassroots-marketing phenomenon. And to would-be writers everywhere who worry that they don't have the time or expertise to do what they love, Gabaldon is nothing short of an inspiration.

Gabaldon wrote her first novel while juggling the demands of motherhood and career: in between her job as an ecology professor, she also had a part-time gig writing freelance software reviews. Gabaldon had never written fiction before, and didn't intend to publish this first novel, which she decided to call Outlander. This, she decided, would be her "practice novel". Worried that she might not be able to pull a plot and characters out of thin air, she settled on a historical novel because "it's easier to look things up than to make them up entirely."

The impulse to set her novel in 18th-century Scotland didn't stem -- as some fans have assumed—from a desire to explore her own familial roots (in fact, Gabaldon isn't even Scottish). Rather, it came from watching an episode of the British sci-fi series Dr. Who and becoming smitten with a handsome time traveler in a kilt. A time-travel element crept into Gabaldon's own book only after she realized her wisecracking female lead couldn't have come from anywhere but the 20th century. The resulting love affair between an intelligent, mature, sexually experienced woman and a charismatic, brave, virginal young man turned the conventions of historical romance upside-down.

Gabaldon has said her books were hard to market at first because they were impossible to categorize neatly. Were they historical romances? Sci-fi adventure stories? Literary fiction? Whatever their genre (Gabaldon eventually proffered the term "historical fantasias"), they eventually found their audience, and it turned out to be a staggeringly huge one.

Even before the publication of Outlander, Gabaldon had an online community of friends who'd read excerpts and were waiting eagerly for more. (In fact, her cohorts at the CompuServe Literary Forum helped hook her up with an agent.) Once the book was released, word kept spreading, both on the Internet and off, and Gabaldon kept writing sequels. (When her fourth book, "Drums of Autumn," was released, it debuted at No. 1 on the Wall Street Journal bestseller list, and her publisher, Delacorte, raced to add more copies to their initial print run of 155,000.)

With her books consistently topping the bestseller lists, it's apparent that Gabaldon's appeal lies partly in her ability to bulldoze the formulaic conventions of popular fiction. Salon writer Gavin McNett noted approvingly, "She simply doesn't pay attention to genre or precedent, and doesn't seem to care that identifying with Claire puts women in the role of the mysterious stranger, with Jamie -- no wimp in any regard -- as the romantic 'heroine."'

In between Outlander novels, Gabaldon also writes historical mysteries featuring Lord John Grey, a popular, if minor, character from the series, and is working on a contemporary mystery series. Meanwhile, the author's formidable fan base keeps growing, as evidenced by the expanding list of Gabaldon chat rooms, mailing lists, fan clubs and web sites -- some of them complete with fetching photos of red-haired lads in kilts.